At the beginning of Covid19 lockdown in
2020, Joe Wicks announced that he would make short exercise
videos available on his YouTube channel so that children remain
active whilst staying at home. Children and their parents (as
well as those who were simply intrigued by seeing Mr. Wicks
exercise in his living room) were quick to integrate this into
their new lockdown routine. There have been countless exercise
gurus since the second half of the twentieth century – some
people may remember Diana Moran (‘The Green Goddess’), Lizzie
Webb and Mr. Motivator. They try to convince the population that
exercise can be a part of daily life and completed by the
ordinary person. Before all of them, however, was Thurrock
resident Eileen Fowler.
Born in Edmonton on 13th May 1906,
Eileen found herself in the world of the performing arts and
musical theatre. In the mid-1930s, after years of late nights
and parties which came with such a career, Fowler left the
theatre and focused on fitness and nutrition. Believing that
exercise was the key to a sense of well-being, she quickly began
exercise classes for ladies. In 1936, she held Health and Beauty
classes at St. John’s Hall in College Road, Grays, as well as
regular classes in the Ball Room at Bata and at Thames Board
Mills, Purfleet until the beginning of the Second World War. She
also choreographed the Bata pantomime.
In 1948, Fowler resumed
her classes in East Tilbury and Aveley. By the 1950s, Eileen had
begun to reach a national audience. On 1st April 1954, Fowler
broadcast her first radio show, which, at its peak, began to
attract half a million listeners. Her television career rapidly
followed with regular exercise shows, broadcast every morning at
6:45 in the BBC's first keep-fit programme. She would give jolly
instructions and ‘down with a bounce; with a bounce, come up’
soon became something of a catchphrase.
Eileen examined ways to
sell her notions to the public at large, and before and
throughout World War II, she set up the Industrial Keep Fit
organisation, with classes for the company workers of Middlesex,
Hertfordshire and later Essex. Her displays and demonstrations
were given by teams from her various groups. She was able to bring her
unique presentation skills to that task. Her
classes often featured smiling girls with
EF on their shirts.
Fowler published many
books on fitness and nutrition, including ‘Stay Young Forever’
and ‘Keep Fit Exercises for Everyone’. She even recorded some
keep fit records, such as ‘Swing into Shape’ (a copy of this is
held in Thurrock Museum). Eileen Fowler was a founder member of
the Keep Fit Association in 1956 and was awarded the MBE in
1975.
Eileen Fowler lived and
worked in Thurrock for many years. From 1942 to 1977, she lived
at High House, Horndon on the Hill, before moving to Frinton on
Sea. In her later years, she was a resident at a retirement home
in Colchester. Even then, continued exercising and would
encourage many other residents to join her. She died at the home
aged 93 on 7th March 2000.
Fowler is known mostly
due to her national fame and success in the postwar period, but
the significance of her work completed in the 1930s is something
that should be recognised. In interwar Britain, female
athleticism, keep-fit classes and physical culture were promoted
as symbols of modernity, and women who pursued beauty, health
and fitness demonstrated ‘civic virtue’. Ina
Zweiniger-Bargielowska has argued that a modern, actively
managed female body was part of women’s liberation during this
period. However, fitness culture was limited by traditional
ideas of femininity; women’s competitive sport remained
controversial and slimming in pursuit of fashion was widely
condemned. Nevertheless, women from all social classes embraced
sport and were eager to join fitness organisations, which paved
the way for future advancements in women’s sport and exercise.
Sources and further
information:
Thurrock Museum Fact File 65 Eileen Fowler.
Ina Zweiniger-Bargielowska (2011) The Making of a Modern Female
Body: Beauty, Health and Fitness in Interwar Britain, Women's
History Review, 20:2.
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